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15.12.2005
iO pages
CD-Review "Timelines"

Stefano Panunzi
Timelines

IFor his debut-album Timelines the Italian keyboard-player Stefano Panunzi has been able to trap a couple of renowned guest-musicians, who have contributed to the diverse, but also recognizable character of the music with their specific qualities. But its especially Panunzi himself who has taken care for that all these different aspects were being forged in one piece with his highly imaginative composition, crystal-clear production and massive, symphonic keyboard-washes.

The title-track, which opens the album, indicates plainly in which direction it will go the next hour: bright vocal, gliding guitar-flashes, spatial drumming, buzzing bas and the before-mentioned keyboard-sounds, it are the ingredients that bring memories of Indigo Falls and Jansen/Barbieri/Karn. And the following Underground, with a role for the Warr-guitar from Markus Reuter, also sets out into the parts into which the former members of Japan are staying, namely the dormant jazzy pop from No-Man (from which Peter Chilvers is also on the guest-list) and David Sylvian.
In Everything 4 Her, one of his five contributions, Mick Karn brings the tempo into a higher level, by which his funky bass-runs support the melodious saxophone-solos from Nicola Alesini (known form his Marco Polo-projects) and Panunzis Floydesk synthesizer-parts.
In the next No Answer From You trumpet- and Flugelhorn-player Mike Applebaum (who played with amongst others Randy Brecker and Ennio Morricone) introduces his atmospheric tone-colours which refer to Mark Isham. And the current drummer from Porcupine Tree, Gavin Harrison, shows in his on-off performance in Web Of Memories his lovely percussive style, on which all the other drummers seem to have taken example from. The creative impulses from the remaining instrumentalists and singers from Italy, Japan and Great Britain fit in perfectly to the mentioned performances, by which like I wrote before Timelines is a tight union.
A beautiful album therefore which follows the progression which is being launched by the mentioned artists convincingly.


Ren Yedema
iO pages

A LABEL FOR POSSIBLE MUSICS
Our intent is to give "visibility" to boundary sounds, to possible musics, RES is a record label having research and respect for the artist as foundations.


Research: The curiosity of discovering various ways of artistic creativity in the musical world giving room and voice to all what can't be reduced into the "pop-rock" category, to all those works of art that place themself on the borders not aiming to isolation but in the research of new possible artistic languages.


Respect for the artist: Like some other idependent labels, also RES - Registrazioni e Suoni (Recordings & Sounds), places itself as a vehicle for the artist, without any will to seize exclusive rights, keeping the artist as the sole owner of its artwork.


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Random CD: [CHAOS] - comme au temps du chaos
In this double live album, the CHAOS project appears as a trio (the original elements), floating through noise and electronica, ethnics and ambient, showing off ethnic instruments, manipulated trumpets, real time sequencering, visionary guitars, creating a continuum rich in tensions and relaxations, and all rigorously as improvisation! The CD contains also a multimedia track featuring a couple of video extracts from the live.

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The League of Crafty Guitarists
February 6th 2005




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